News

New Release From Major AV Maker Sparks Controversy for Evoking 'Child Prostitution'; VR Work Set in Indonesia Pulled From Distribution

A VR work that the major adult maker 'SOD Create' began distributing on May 28, 2026, drew criticism at home and abroad for being set in a red-light district in Jakarta, Indonesia, featuring a woman made to look young, and using expressions in its description that evoked child prostitution. It came right after the Japanese Embassy in Indonesia issued a May 13 alert about child prostitution by Japanese nationals in the country, and the work was removed from distribution sites by early June. The case again raises questions about the propriety of using a real-world social problem as entertainment material, and about the legal framework under which child prostitution committed overseas is punishable within Japan as well.

New Release From Major AV Maker Sparks Controversy for Evoking 'Child Prostitution'; VR Work Set in Indonesia Pulled From Distribution

Overview of the Work That Became a Problem

A new VR (virtual reality) work that the major adult maker SOD Create (Nakano Ward, Tokyo) began selling on various adult distribution sites on May 28, 2026, drew heavy criticism online and was removed from distributors by early June. J-CAST News, Josei Jishin, Kyodo News, and others reported the matter.

According to the reports, the work was set in a red-light district along a railway (a "trackside brothel district") said to be in Jakarta, the capital of Indonesia, and featured a woman who looked young, set at a height of 147 centimeters. The work's description is said to have used expressions evoking child prostitution and human trafficking, such as "probably (child) prostitution. She was likely sold here from somewhere" and "it seems she had just been brought in, and she is nervous and timid."

The Spread of Criticism and the Halt in Distribution

In response to this content, criticism poured in on social media such as X (formerly Twitter), with comments such as "it makes light of a real social problem," "it is vulgar and harms Japan's national interest," and "the content affirms sexual acts with children."

Organizing the course of events as reported, it is roughly as follows.

  • May 28, 2026: SOD Create began distributing the VR work
  • Early June: criticism that it "evokes child prostitution" expanded, centered on social media
  • Around midday on June 4: in Josei Jishin's reporting, the work's sales page was in a state where it could not be viewed
  • By June 8: the work was removed from the various distribution sites, related posts on X, and official distribution listings

In response to Josei Jishin's inquiry, an official of the Japanese Embassy in Indonesia is reported to have said the embassy was not aware of the work's existence and commented that it was "very regrettable." As of the time of writing, SOD Create's official view could not be confirmed in the reporting, and the specific reason for the removal has not been made clear.

Background: The Embassy's Alert

Behind the work's becoming a problem is the fact that, around the time just before distribution began, child prostitution by Japanese nationals in Indonesia had become a social problem locally.

According to reporting by Kyodo News and others, social-media posts in Japanese boasting of having "bought sex while aware the person was under 18" had been appearing one after another in and around Jakarta, and on May 13, Indonesia's state-run Antara news agency reported that, in response to such posts, Jakarta police were proceeding with an investigation. On the same day, May 13, the Japanese Embassy in Indonesia published a document on its website titled "Alert Regarding Child Prostitution in Indonesia."

The alert warned that child prostitution is not only subject to crackdown by Indonesian investigative authorities (under such laws as the Child Protection Act and the rape provisions of the criminal code) but is also punishable within Japan as an extraterritorial crime by a Japanese national. The timeline—in which a work evoking that problem situation was distributed right after the local alert was issued—became one factor that further intensified the criticism.

Ripples Overseas as Well

This work also became a topic in neighboring Southeast Asian countries. According to the reports, the Malaysian outlet "China Press" and Taiwan's "New Talk," among others, took it up and pointed out that the release of such a work damages Japan's reputation and could develop into a diplomatic problem. Setting the work in a real country and region, and using a social problem ongoing locally as material for entertainment, drew backlash across borders.

Background—Between "Fiction" and Real Harm

Adult videos are creative works, and it is a premise of the industry that performers are adults and that filming is conducted in a lawful environment. In this case too, the issue is not that the performing woman was herself an adult; the point of contention is that a setting and expressions evoking "child prostitution"—a real and grave human-rights violation—were used as the selling point of an entertainment work.

In Japan, the 2014 legal revision banned even the simple possession of child pornography, and the Act on Punishment of Child Prostitution and Child Pornography has provisions for extraterritorial punishment that reach acts overseas. In recent years, child prostitution by Japanese nationals with Southeast Asia as a destination, and social-media posts boasting of it, have become targets of international criticism, and the embassy's alert this time is situated in that context.

As for expression surrounding the sex industry—how far is permissible creation, and from where does it become conduct that promotes or trivializes real harm? That line is again being questioned amid the internationalization of platforms and the visibility brought by social media. How to reconcile freedom of expression with the dignity of victims who actually exist—this incident is a case that presses that difficulty from within the industry.

This article is compiled from reporting by J-CAST News, Josei Jishin, Kyodo News (Shimotsuke Shimbun Digital), and others. Specific facts are based on the respective reports, and points of discrepancy or that remain unconfirmed are noted with reservations in the body of the text.